Book Review – Philip and Alexander: Kings and Conquerors

For my third book review, I’m returning to Antiquity with a review of Adrian Goldsworthy’s book about two Macedonian kings, Philip and Alexander: Kings and Conquerors. This is the first audiobook that I’ve reviewed on the site, so this may be a little different from other reviews I have done and will continue to do. Why do I say that? Well, I just started listening to audiobooks in earnest within the last few months and I find it a little challenging to retain as much of the information, or take notes on the information, compared to when I read a physical book. This is because I listen to audiobooks and podcasts when I run, when I drive or when I’m running errands. So, if I make mistakes here or am otherwise not as detailed as I am in other reviews, my bad. I’ll try to do better the next time around.

Regarding the book itself, I thoroughly enjoyed this one and recommend it to all. Goldsworthy does a masterful job setting the scene of Ancient Greece and Macedonia at the time that Philip came to power. This gives the reader a good sense of the world in which Philip and Alexander found themselves, starting with Macedon and the major Greek power-brokers. Goldsworthy’s decision to take the time to set the historical table, if you will, seemed like a sidequest at first, but doing so allowed the reader, or listener in my case, to understand what Philip had to do to build his kingdom. Spoilers – it wasn’t easy. While I try to not idolize historical figures, it’s hard not to be impressed by what Philip was able to accomplish. He took a part of Greece that was looked down upon by its neighbors and turned it into a major player with a professional and disciplined fighting force.

Goldsworthy doesn’t stop setting the scene in Greece; you get an excellent idea of the challenges that Alexander faced as he tried to place his seal on the Persian Empire he conquered. There is a lot of time devoted to the cultural differences between the Greeks and the Persians that I came across in passing while listening to podcasts. I didn’t fully appreciate those differences until I listened to this book (and probably would’ve appreciated better had I read a physical copy of it). Goldsworthy also does an excellent job analyzing the historical record regarding this time period and pointing out reliability issues with primary and secondary sources. That discussion made me realize that there’s a good argument that we should consider Alexander’s famous last words as a narrative invention, albeit a very good one.

One thing that I particularly enjoyed about the book is that it is about both Philip and Alexander as opposed to just Alexander. When I did my research for the first episode of the podcast, which is about Alexander the Great, I found myself being drawn to stories about Philip more so than Alexander. Without judging or idolizing either historical figure, I always find myself more interested in Philip because he built the system that Alexander was able to use so masterfully. While I’m not saying that Philip is more historically significant than Alexander, I am saying that I personally enjoy learning more about Philip. I always find stories about builders and creators to be compelling and Philip really built his kingdom into something that was different from other Greek cities around him. Again, I’m not saying that one is more worthy of study than the other, but I am saying that, in many respects, you can’t understand Alexander if you don’t understand Philip. So, pairing these two together was a good choice by Goldsworthy.

Another thing that I found interesting was the discussion about how Alexander’s troops not crossing the Hyphasis probably wasn’t that big of a deal at the time and that it only became significant because of Alexander’s death not too long after that. You also get the sense that Alexander wasn’t as unstable as he is portrayed in movies or television (think Oliver Stone’s Alexander) towards the end of his life. Rather, you get a sense that this was a man who had been through a lot, may have had some measure of a traumatic brain injury (if not several) and was understandably stressed from running a large empire and conducting campaign after campaign. Stressed out? Certainly. Mentally unstable and bordering on insane? Probably not.

Goldsworthy also doesn’t just focus on the two kings’ military history. Rather, he spends a lot of time detailing Philip’s diplomatic successes as well as Alexander’s attempt to integrate the Greeks and the Persians. So, while there is a lot of military history to get through, that’s not all that the book is about. All things considered, this is a pretty comprehensive history.

As I wrap up this review, I want to mention one other reason that this book is worth reading. When I read a bad history book, that book can turn me off from the subject matter. But, if I like the book, it can cause me to read other books about the same time period. And this book, fortunately, has done the latter. Goldsworthy’s book has me wanting to read more about that period of history, so I’ve added a few primary and older secondary sources to the to-read list.

Those are my thoughts on the book. Let me know what you think about what I think in the comments, on Bluesky, on Mastodon, on Reddit, or on Instagram.

And never forget that The Classical Antiquity Sidequest is a podcast without end.

Sidequest 29 – The White Pedestal: How White Nationalists Use the Classics

I’ve been a fan of Dr. Curtis Dozier for a while. I stumbled on his podcast, The Mirror of Antiquity, and thoroughly enjoyed it. I then came across his website, Pharos, where he chronicles (mostly horrible and some who are only somewhat horrible but still horrible) people invoking the Classics to justify their horrible beliefs. When I reached out to Dr. Dozier to see if he would come on the podcast, not only did he say yes, but he told me about his current book which is now available for purchase – The White Pedestal: How White Nationalists Use Ancient Greece and Rome to Justify Hate. Naturally, this book which is now available for purchase, is the topic of the episode.

In Dr. Dozier’s book, which I read and highly recommend, he outlines the goals of white nationalists and where in the Classics white nationalists look to find support for their horrible beliefs. It turns out that they aren’t necessarily misrepresenting history to support their hate-filled, racist and reprehensible beliefs. Rather, such hatred, bigotry and racist beliefs are common and permeate our entire historical and philosophical narrative. And that is the key part of Dr. Dozier’s book – he isn’t just exposing the logical fallacies of white nationalists, he’s exposing the problems inherent with our historical narratives upon which white nationalists rely.

And it’s understanding that issue which makes the discussion we need to have about history so important. Put simply, if we’re going to have a discussion about white nationalists co-opting the Classics, we need to have a discussion about what the Classics are, what they aren’t and our obligations as students and teachers to telling an accurate and complete narrative about the past and how that reflects on the present. We have to stop idolizing the subject matter and be honest about it. Look, folks, if there’s one theme of this podcast, it’s that history is messy. And this episode returns to that theme again and again and again. There’s nothing perfect about the past. The folks who preceded us weren’t saints. They were people, and people are imperfect. So, let’s stop putting the past on a pedestal and get to work making our present and our future a better place.

While I often kick around politics and current events, this is one of the few episodes that covers both in detail. I hope you enjoy listening to this episode as much as I enjoyed participating in the discussion.

Your reading assignment is Empire of Ruin.

The theme music is from Brent Arehart. Please call the pod (540-632-0160), leave a message and you’ll get in an episode. Let me know what you think about what we think in the comments, on Bluesky, on Mastodon, on Reddit, or on Instagram.

And never forget that The Classical Antiquity Sidequest is a podcast without end.

Book Review – Gates of Fire

I decided to start writing reviews of books I read or listen to that deal with topics from Antiquity. I hope you all enjoy these and find them informative. Hopefully, these reviews will be a good way to add more content to the site. So, here goes …

The first book getting reviewed here is Gates of Fire, Stephen Pressfield‘s novel about the Battle of Thermopylae (although it is really more of an ode to Sparta and “Spartan culture” as the battle shows up late and takes up a relatively small amount of the narrative (the battle doesn’t start until about 245 pages into a 384 page book)). I read Gates of Fire like 20 years ago and I remember enjoying it. Over the years, I’ve recommended it to others and discussed it whenever it came up. One of my favorite parts of the book is the line Dienekes uttered about fighting the battle in the shade. I think the reason the book stuck with me is because I was pretty young when I read it and almost certainly had a lot of thoughts about getting my name forever mentioned in the history books (you know, the kind of thing that most young, dumb kids think about). Because of these fond memories, I bought it for my son thinking that he might like it. He was 15 or 16 then, so it seemed like it might be the right age for him. Anyway, he never read it which made me decide to read it again.

My basic thought on the book is that it is a book for dudes, a book for the kind of people that Denis Leary mentioned in “A**hole” when he sang the line, “I like … books about war”. The book, a fairly well-written and captivating narrative, albeit a repetitive one, is designed to appeal to traditional masculine concepts about duty, sacrifice and noble deaths. In addition to those themes, you can also find the over-used “Women totally bought into this and are super noble and powerful in their own way and, at times, their nobility and power will overpower Mark Zuckerberg’s masculine energy” (also, Zuck has a ridiculously punchable face). One of the best examples of this narrative trope can be found at the end of The Quiet Man when Maureen O’Hara takes charge of her home and shuts her brother up.

There’s a lot about the specifics of this period of Greek history that I’m not familiar with, so I won’t get into whether Gates of Fire is historically accurate. Instead, my main discussion will relate to what I think Pressfield could’ve done to make the book better and what I think is the biggest problem with the book.

To begin with, I think that the book spent too much time talking about how great Sparta was. While some of the focus on “Spartan culture” is necessary to set the scene and provide some background regarding Ancient Greek and Spartan society, the novel devoted too much time making Spartan culture heroic. And doing that is what, for me, is the book’s biggest problem for. In talking up Spartan culture, there is an implied acceptance / justification of the slave society and police state upon which that society was based.

It’s extremely problematic for Pressfield to present a slave-based culture in the light that he did. When reading the book, I thought about what a film professor taught me years ago (and this is a paraphrase) – when you make a movie about the past, it doesn’t matter what you’re saying about the past. What matters is what you’re saying about today. This is because the past is a great narrative tool to discuss present problems. When telling a story set in the past, comments about the present can be snuck into the narrative. The same is true with sci-fi – futuristic and alien worlds are a perfect way to explore problems with the present and to comment about current events.

And that’s what, in my opinion, Pressfield got wrong. He made the slave-based culture that was Sparta too acceptable, too necessary and to some extent, too natural. Recall that the Spartans are presented as Xeones’ savior and they become necessary protectors. By portraying Sparta that way, there’s an implicit adoption of the need for a strongman and militaristic culture. I’m not suggesting that there’s an actual endorsement of these things, including Spartan slavey, at play here by Pressfield. But what I am suggesting is that when all of Spartan society is made to look heroic and the only way to fend off the Persians, readers have no choice but to assume that the basis of that society (slavery, limited social mobility, oligarchical structure, police state in many respects, etc.), is necessary. (It is at times like this that I wish I had more knowledge about women in Ancient Sparta. Due to that lack of knowledge, I don’t feel comfortable discussing how they were portrayed in the book beyond saying it was a stereotypical portrayal.) I don’t think by any means that the author intended to convey that message, but a book like this could easily be misused by some of the worst among us to support such narratives.

That misuse becoames more likely when the book focuses almost entirely on the Spartans and what they did at Thermopylae at the expense of the rest of the Greeks. Pressfield makes it seem like the other Greeks who were at Thermopylae played a minimal role and it is implied that the battle couldn’t have occurred without the Spartans. This is kind of odd given that, and this gets into what little I know about Greek Antiquity, the Greek forces totaled around 7,000 and consisted of a large number of non-Spartans. Here’s a brief, and incomplete, list of the Greek combatants I pulled from my copy of Herodotus’ Histories:

  • 300 Spartans;
  • 500 from Tegea;
  • 500 from Mantinea;
  • 120 from Orchomenus;
  • 1000 from Arcadia;
  • 400 from Corinth;
  • 200 from Philus;
  • 80 from Mycenae; and
  • Many, many others.

Also, I recall something about Sparta religious practices keeping limiting the number of Spartans involved initially. But I’ll leave the rest of the research to the readers and to the experts.

An additional critique I have derives from the fact that I think I’m getting fairly impatient in my old age and want books to get to the point quickly. I think Pressfield could’ve made this significantly shorter and gotten to the battle more quickly. And this isn’t a knock on Pressfield specifically, it’s more a comment on my losing battle with patience. For example, I recently stopped reading a book by Martin Amis that I enjoyed because I thought he should’ve cut about a third of it out. In order to provide the necessary historical background and set the stage without lionizing Sparta, Pressfield should’ve focused more on Greek political dynamics surrounding the Persian invasion and the Greek response. A political thriller would’ve been more entertaining and intriguing than the ode to Sparta this turned into.

Another critique I have about the book is that the nobility theme was repeated a bit much. I wouldn’t recommend this, but if you took a drink each time nobility or sacrifice are mentioned, you’d be dangerously intoxicated pretty quickly. If you do decide to try it, and I wouldn’t, make sure you have a sober friend nearby or are otherwise drinking within stumbling distance of a hospital.

One thing that I do like about this book is that the Persians are portrayed better than they are in other modern representations of Thermopylae (like 300). I don’t think that I would read this again. I would, however, read another Pressfield book as he’s a pretty good writer. And I’m a white male in my 40s which means I’m contractually obligated to read books about war.

Those are my thoughts on the book. Let me know what you think about what I think in the comments, on Bluesky, on Mastodon, on Reddit, or on Instagram.

And never forget that The Classical Antiquity Sidequest is a podcast without end.

Sidequest 26 – Drinking in Ancient Greece with Dr. Amy Pistone

Our friend Amy Pistone returns to the podcast to educate us on drinking habits in Ancient Greece. During this episode, we’ll hear about the current climate in higher education and discuss the uncertainty professors have. We will also cover what would go down at a symposium and how people in Antiquity knew how to play drinking games. And, if that weren’t enough, we answer a question that has stumped scholars for centuries – was Odysseus a woo girl, or did he just keep it real? Listen and find out.

Your reading assignments include Glorious Exploits and Sarah Bond’s Strike. Given the number of times that Strike has been suggested as a book to read, isn’t it time for Dr. Bond to come on the podcast? I think so.

The theme music is from Brent Arehart. Please call the pod (540-632-0160), leave a message and you’ll get in an episode. Let me know what you think about what we think in the comments, on Bluesky, on Mastodon, on Reddit, or on Instagram.

And never forget that The Classical Antiquity Sidequest is a podcast without end.

Sidequest 25 – Ben and Victor Review Troy: The Director’s Cut

Victor returns to the podcast to discuss 2004’s Troy. But not just Troy. No, we skip the theatrical release version and go straight into the 196 minute (not a typo) director’s cut. Why did we do this? Good question.

Anyway, we take some time to figure out what went wrong with this movie, what good parts it had and, of course, we talk about Deep Blue Sea (there’s a connection here, trust me). We also point out that the ending sequence for the Trojans in this movie was really, really idiotic. Most important, we raise a significant issue that should be studied by film historians – does throwing in an exploding volcano make a movie better? Listen and find out.

The theme music is from Brent Arehart. Please call the pod (540-632-0160), leave a message and you’ll get in an episode. Let me know what you think about what we think in the comments, on Bluesky, on Mastodon, on Reddit, or on Instagram.

And never forget that The Classical Antiquity Sidequest is a podcast without end.

Sidequest 24 – Antiquity on Screen Part II: Those About to Die and The Odyssey with Monica Cyrino

Our friend Monica Cyrino returned to the podcast to discuss Those About to Die and the upcoming Christopher Nolan film, The Odyssey. Those About to Die is a Peacock series which is set in the Flavian dynasty. It’s an ambitious project that has some good parts and some not so good parts. If we were to give it one of our movie review ratings, I’d give it a Probus. It is worth watching as there are some good moments that are historically accurate. There are some other moments that are … not.

We also get into the futures game and play a version of conference realignment talk by discussing what shape The Odyssey may take. It’s an ambitious project and, to be honest, I’m not sure I see a movie in the source material absent extensive editing and rewrites. And, if that happens, I’m certain the notoriously happy OnlineClassics folks will react with calm, quiet reflection. Narrator: They won’t.

We conclude the podcast by talking about a few projects that Dr. Cyrino is working on which I highly recommend.

Your reading assignment is Judy Dench’s Shakespeare: The Man Who Pays the Rent.

The theme music is from Brent Arehart. Please call the pod (540-632-0160), leave a message and you’ll get in an episode. Let me know what you think about what we think in the comments, on Bluesky, on Mastodon, on Reddit, or on Instagram.

And never forget that The Classical Antiquity Sidequest is a podcast without end.

Sidequest 23 – All Roads Lead to Rome with Dr. Rhiannon Garth Jones

As we all know, people spend a lot of time thinking about Rome. If you’ve ever wondered why that is, Dr. Rhiannon Garth Jones just published All Roads Lead to Rome, a book that attempts to answer and explain just why it is that so many of us think about Rome and why we’ve done it for so long. In addition to that, we cover a lot of topics including writing styles, an ongoing issue with historical cognitive dissonance when it comes to our understanding of Rome and some troubling and problematic invocations of Rome. We also cover a very interesting want to know more section of her book and how it incorporates new and emerging forms of scholarship.

Your reading assignments include Strike by Dr. Sarah E. Bond (who I would love to have on the pod one day) and Dr. Kaldellis’ The New Roman Empire.

And while you’re reading stuff, why don’t you pick up a copy of Dr. Garth Jones’ book? It’s pretty darned good.

The theme music is from Brent Arehart. Please call the pod (540-632-0160), leave a message and you’ll get in an episode. Let me know what you think about what we think in the comments, on Bluesky, on Mastodon, on Reddit, or on Instagram.

And never forget that The Classical Antiquity Sidequest is a podcast without end.

Sidequest 20 – Madeleine Duperouzel on Empress Theodora

In an effort to help bridge the gap between “Byzantine” and Roman history, I reached out to Madeleine Duperouzel to see if she’d be interested in talking about Empress Theodora. Madeleine was more than happy to, so the result is an outstanding episode regarding a legendary figure in Roman history. After briefly covering finicky weather patterns, we discuss Theodora’s life, her historical significance and how she has been treated by her contemporaries and by later historians. This naturally involves a discussion about the historical inkblot that is The Secret History (I explain the inkblot reference in the episode, but if you search for “Bork 9th Amendment inkblot”, you’ll find what I’m talking about). We also cover the general hostility that a specific group of men felt towards Theodora and the unique control over her life that she possessed.

To get more updates on history from Madeleine, please check subscribe to her Substack, The Empress of Byzantium. It’s really good!

Your reading assignments include The AlexiadDoppelgänger and The Name of the Rose.

The theme music is from Brent Arehart. Please call the pod (540-632-0160), leave a message and you’ll get in an episode. Let me know what you think about what we think in the comments, on Bluesky, on Mastodon, on Reddit, or on Instagram.

And never forget that The Classical Antiquity Sidequest is a podcast without end.

Sidequest 19 – Ben and Victor Review Two Terrible Movies Set in Roman Britain

First, apologies for my audio at times in the podcast. I’m not sure what happened. Second, apologies for the two movies we’re about to review. While the Centurion squandered a chance to be good, The Last Legion is just awful. As we discuss these movies, we reference the brilliant Black Zeus X and then try to figure out what it is that Hollywood gets wrong when it makes movies “based on” Antiquity. We also discuss how great actors are constantly wasted in these movies and resurrect the term “McNulty Subplot“.

Our next movie review episode will combine Troy and Helen of Troy.

The theme music is from Brent Arehart. Please call the pod (540-632-0160), leave a message and you’ll get in an episode. Let me know what you think about what we think in the comments, on Bluesky, on Mastodon, on Reddit, or on Instagram.

And never forget that The Classical Antiquity Sidequest is a podcast without end.

Sidequest 12 – Anthony Kaldellis on the “Byzantine Empire” and Roman Identity

In the latest episode of the Sidequest, Anthony Kaldellis, author of many books including The New Roman Empire, stops by to discuss his podcast Byzantium & Friends, how the academic community is starting to embrace podcasts as a medium to communicate with a wider audience, the narratives surrounding Antiquity, including when it “ended”, in the Western and Eastern imperial provinces and the importance of the “Byzantines” to Antiquity and the Classics. We also discuss the naming convention behind use of the term “Byzantine” and the important role the Crimean War played in that. Dr. Kaldellis wrote an article about that which I highly recommend and link to here.

One of the more interesting parts of this interview involved me learning about how widespread the Greek language was throughout the Empire. It turns out that the city of Rome had a large population that spoke Greek including one Julius Caesar. We also have a discussion about “Late Antiquity” and whether we should consider that as a transitional period which I discuss more in the intro to the podcast. I think my views on it come from the way I view things as a trial lawyer which may not entirely overlap with the way that historians approach their work. I could be way off about this. It’s just a thought I had as I edited the podcast.

Your reading assignment from this episode is “Black Earth: The Holocaust as History and Warning“.

On the opening theme music, for now it’s from #Uppbeat (free for Creators!):
https://uppbeat.io/t/kevin-macleod/folk-round
License code: SHTJJRTVTRXQAID1

Please call the pod (540-632-0160), leave a message and you’ll get in an episode. Let me know what you think about what we think in the comments, on Bluesky, on Mastodon, on Reddit, or on Instagram.

And never forget that The Classical Antiquity Sidequest is a podcast without end.